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The only certainty is that movement, change, and metamorphosis exists. What appears as a link or tag is the existence of at least a pair. Theory on Demand 7 Image, Time and Motion: Another video is suggested aside, etc. Blue is the screen when there is a connection identified, a technical signal transmitted and displayed, a lack of content, another emptiness, but defined and limited. Therefore localizing what might be in my opinion a kind of online video theory. The screen is emitting light—bluish, technically, in reference to its color temperature. fernsehrauschen sound

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Video is a part of everyday life, comparable to driving a car or taking a shower. No signal, or no elec- tricity, no connection, no network?

Video Vortex Reader 2 pp. Transcript Verlag April http: If we display a video with its timeline, then the juxtaposed others or objects are creating another axis or dimension. It is a juxtaposed pair building a common space.

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The sky above the port was the color of television, tuned to a dead channel. While split screens mark and separate historically spaces in cinema, frames within frames create traditionally a new element in the narrative or fictional world.

Video Vortex 10 http: Frames within Frames — Windows and Doors. There is a multiplicity of screens connected to the one screen viewed at a specific moment.

Andreas Treske aka KasputniK

Therefore localizing what might be in my opinion a kind of online video theory. Blue is the screen when there is a connection identified, a technical signal transmitted and displayed, a lack of content, another emptiness, but defined and limited.

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The video is presented inside a webpage, a browser. There is something and that something is technical and operational, a framework unfilled.

Television with image interference Stock Photos and Images | age fotostock

The inner life of video spheres An online video is never existing alone. What appears as a link or tag is the existence of at least a pair. The only certainty is that movement, change, and metamorphosis exists.

That is why movement is static. Coming from a wide range of disciplines they had studied before, very rarely media or cultural studies, these students brought in their various viewpoints and methods, and tried to integrate their observations and understandings in a seminar related to cinema and new media to discuss and sometimes just to describe the influences of digital media technologies for themselves and their colleagues.

Assemblies of Video If a screen is black, then nothing is streamed, no content, no signal, and no function. Geert Lovink and Sabine Niederer eds. No, if the screen is black, then it is malfunctioning or defunct, or there is no reception.

It seems that there is no explicit video theory, which handles video on its own basic substance. The great directors have particular affinities with particular secondary, tertiary, etc.

A dead channel is black.

Katja van Stiphout, DTP: Movement is static because it is the only immutable thing—the only certainty, the only thing that is unchangeable. This other part appears to be there at the same time as well as any time.

It has become absolutely invisible.

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Online Video Aesthetics or the Afterlife of Video. The reader can be downloaded here. Another video is suggested aside, etc. In a Sloterdijktian sense a complex ecosystem, an artificial sphere of existence with protective ferneehrauschen and elaborate systems of air conditioning.

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